Void Fill found a little space in the inaugural issue of The European Review of Books, a brilliantly designed multilingual experiment of a magazine. Look for the pearls. And read about the project here and here.
Founding editors: Wiegertje Postma, Sander Pleij, and George Blaustein (the brother of yours truly) / Print design: Patrick Doan
Insanely honoured to learn that Table Settings has been shortlisted for The Fine Arts Textile Award 2022 alongside the incredible work of 13 other artists. The shortlisted artworks will be exhibited at The Festival of Quilts this August and The Knitting and Stitching Show in London and Harrogate October and November.
🍽🖤🤍
Table Settings, 2020-21
Four weeks of dinner tracings with pencil and thread on recycled household linens
68 x 48 inches
Table Settings gives form to the accumulated tracings of plates, utensils and all the other objects that make up the shifting terrain of a single dinner table. It quietly grapples with patterns of everyday life made more apparent and more tangible over the course of countless days and nights. The patterns are belabored and bewildering—on one side a record of relations and movement, and on the other a tactile universe emerging from lines that are normally wiped away.
Pressed Shirt is proud to be hanging in the exhibition Painting at Night at Collar Works in Troy, NY, in collaboration with Artist/Mother Podcast and curated by Judith Braun, May 27—July 31, 2022.
Fine Print & Not Listening have found a home with other essentials in the fantastically necessary group exhibition Survival Tools for the Age of Ultra Anxiety, curated by the Jeju Island Artist Collective and organized by Flux Factory at the Plaxall Gallery in Long Island City from November 4, 2021 - November 28, 2021.
Greyshift, made with STUDIOOSS, is on view at the 2019 edition of Miniartextil in Como, Italy, September 28—November 17, 2019.
Greyshift
Pleated silk and threads machine stitched on die-cut and painted paper
20cm x 3cm expandable to 35cm
Made in Singapore
2019
Greyshift transforms paper off-cuts from our pop-up book, The Dining Room, into a moveable viewing device that expands from two to three dimensions across the black and white spectrum—from the flat, negative spaces of single planes of paper into a passageway defined by the curious betweens.
